Hand-drawn 2D in Klaus (2019) style: painterly, volumetric lighting, soft shadows, textured brush...

Hand-drawn 2D in Klaus (2019) style: painterly, volumetric lighting, soft shadows, textured brushwork. No 3D, no CGI, no plastic. The ship is trapped in ice. It is not moving forward or backward. The ice floes slowly close in and press against the hull from the side. The steel plates crumple inward under the pressure: metal buckles, a jagged crack opens, rivets pop and scatter, paint flakes off. The deformation is slow, heavy, and realistic — the hull resists, then yields. The ice itself shifts slightly, grinding against the metal, cracking and splintering at the contact points. Small ice fragments and snow dust fall away from the impact zone. No forward motion, no reverse, no bounce-back. Thick smoke streams upward from the funnel. Snow drifts diagonally. Rigging trembles faintly from the stress. Deck and superstructure stay rigid. Crew on the upper deck remain completely static painted silhouettes. Golden sunset light backlights the ice and catches warm highlights on the crumpled metal. Clouds stable, sun glints on the horizon. 2D parallax: foreground ice and debris fastest, hull focal, mid-ground ice slower, sky slowest. Camera performs a slow, subtle drift along the hull, observing the compression, with a slight vertical tremble from the ice pressure. No zoom, no rotation. Soft painterly transitions. No hard gradients, no plastic 3D, no squash/stretch, no anime. CAMERA: Hand-drawn 2D multiplane parallax. Slow lateral drift along hull with slight tremble. No zoom, no rotation. MOTION: Ship stationary. Ice slowly compresses hull. Metal crumples inward. Rivets pop, paint flakes. Ice shifts and cracks. Smoke rises, snow falls, rigging trembles. Camera slowly drifts. CONTINUITY: Hull (except natural crumpling), funnel, superstructure, masts, rigging, deck, static crew, ice field, clouds, sky — rigid. Only ice compression, hull denting, falling debris, smoke, snow, parallax, light shift. REALISM: No morphing beyond realistic metal deformation. No added elements, no 3D shading, no glossy CGI, no squash/stretch, no anime, no rubbery deformation, no sudden camera movement. Ship does not move forward or backward. Crew not animated. Strictly hand-drawn 2D in Klaus style.