Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted ligh...

Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted lighting, soft illustrated shadows, textured brushwork. No 3D, no glossy CGI, no plastic shading. A ski-equipped biplane comes in low over the frozen plain and lands on the snow-covered ice, moving left to right. Landing physics are clearly readable: skis touch down first, biting into the snow; snow spray bursts up behind each ski on impact; the plane keeps sliding forward with real inertia, gradually losing speed. The tail settles slowly as it decelerates. Skis carve shallow parallel tracks, leaving a trail behind. Propeller spins fast and steady, blurred with motion. Snow spray blows off the skis, then fades as the plane slows. Wings stay level. No bounce, no jump, no abrupt movement. Low sun sits behind the aircraft, shining into the lens. Strong painted flares — warm rays, halos, soft glowing circles — sweep across the frame. Backlight rims the plane in amber. Heavy blizzard: dense snow streaks diagonally, faster near the lens, softer far. Drifts swirl around the skis. Thin mist blows low across the ice. Subtle 2D multiplane parallax: foreground snow and spray fastest, biplane as focal plane, mid-ground ridges slower, distant horizon and sky slowest. Camera performs an extremely slow cinematic lateral drift, tracking with the landing aircraft and revealing the trail behind it, with tiny natural bob. No zoom burst, no rotation. Soft painterly transitions between light and shadow. No hard digital gradients, no plastic 3D shading, no squash-and-stretch, no anime motion, no rubbery deformation. CAMERA SPECIFICATION Hand-drawn 2D multiplane parallax. Extremely slow lateral tracking drift with gentle bob. No zoom, no rotation. PHYSICAL MOTION Skis touch down, snow spray kicks up, plane slides forward with real inertia, decelerates, tail settles. Propeller spins, snow blows off skis, blizzard streaks, mist drifts. Camera slowly tracks. CONTINUITY LOCK Biplane body, wings, tail, skis, propeller, ice ridges, snow field, mist, clouds, sun position — all rigid. Only landing motion, ski tracks, snow spray, spinning propeller, drifting snow, shifting mist, light flares, parallax, and slow lateral camera drift allowed. REALISM CONSTRAINTS No morphing, no added elements, no 3D shading, no glossy CGI, no squash-and-stretch, no anime motion, no rubbery deformation, no sudden camera movement. Aircraft stays intact and follows believable landi