CONCEPT: Luxury travel campaign, editorial food photograph on the deck of a private yacht at sunset in the North Pacific. KEY DETAIL: A dinner table set for two on the open aft deck. In the centre a large oval silver platter on crushed ice with bright red king crab legs, cracked open to show white meat. Next to it a plate of fresh sea urchins cut in half, dark spiny shells with orange roe inside, and lemon wedges. One glass of chilled white wine with condensation on the glass stands near the front edge, the low sun shines through it. CAMERA: Close three-quarter shot from slightly above the table, 50mm lens, shallow depth of field. Vertical frame. The table fills the lower half. Sharp focus on the crab and the wine glass, the sea and the horizon behind softly blurred. LIGHTING: Golden sunset light from behind and to the left, warm rim light on the glass and the crab shells, soft warm reflections on the silver and the ice. SETTING: Table of oiled teak wood, white linen napkins, simple silver cutlery, two white porcelain plates. Behind the table a polished steel deck railing, calm dark blue sea with a golden path of sunlight, and the dark silhouette of a volcanic island with a cone-shaped peak on the horizon. The upper third of the frame is warm sunset sky, soft orange to dusty blue, even in tone, no bright sun disc. One continuous image, no frame, no inset. COLOR PALETTE: warm gold and orange light 30%, dark blue sea 25%, red crab 15%, white linen and ice 15%, teak brown 10%, orange sea urchin roe 5%. STYLE: photorealism, real editorial food photography, natural colours, fine detail in shells, ice and glass. VIBE: celebratory, refined, fresh, generous, alive. REQUIREMENTS: vertical 9:16, high resolution, realistic proportions of food and tableware. NEGATIVE: no text, no letters, no logos, no watermark, no labels, no bottles with labels, no people, no hands, no candles, no flowers, no plastic, no palm trees, no tropical island, no other boats, no oversaturated colours, no HDR look, no illustration, no picture frames.
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