Image - 2026-09-24 16:57

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "ТЕХНИЧЕСКОЕ ЗАДАНИЕ Видеофильм «MY WAY» A Tribute to Gérard Charles from Servier Belarus 1. ОБЩАЯ...", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • CINEMATIC REALISTIC". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 10 numbered storyboard panels in a 4-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (30s): Static wide shot of sleeping Minsk at first dawn light, the glass National Library crystal catching low gold sun, the avenue below empty. Exterior light only, no people in frame. Panel 02 (25s): Medium shot at the closed glass doors of Servier Belarus, morning light. Gérard stands with his right hand on the handle and the brown briefcase in his left hand, eyes on the do... Panel 03 (30s): Bright conference room lit by windows and lamps. Gérard, in his navy suit, stands behind an empty chair at a round table, both hands on its back. Five employees sit around the t... Panel 04 (30s): Meeting room lit by window light. Gérard walks in from the corridor through the open doorway, and three colleagues stand around a blank flipchart, not moving. Panel 05 (15s): Brightly lit event hall. Gérard stands at the center of eight employees gathered close and facing a screen, arms at their sides. Panel 06 (20s): Sunny outdoor team-building field. Gérard and six employees hold a long rope together, feet planted, ready to pull. Panel 07 (30s): Meeting room lit by lamps and windows. Gérard stands at the flipchart with a marker in his right hand, and five colleagues sit in a semicircle, not moving. Panel 08 (20s): Festive hall lit by warm lamps. Gérard in his navy suit and the colleague in a burgundy blazer stand facing each other at arm's length, hands at their sides. Six employees stand... Panel 09 (15s): Bright office atrium lit by windows. Twenty employees stand in two rows, not moving, with Gérard at the center in his navy suit. Panel 10 (7s): Dim, softly blurred wide shot of the Servier Belarus team standing in a group in the office, lit by lamps and darkened by 65%. RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: ЖЕРАР ШАРЛЬ — Middle-aged man, late 50s, fair skin, oval face. Short salt-and-pepper hair, thin rectangular glasses, brown eyes. Medium build, wearing ... КОЛЛЕГА — Middle-aged man with short salt-and-pepper hair and a friendly smile. He has an oval face, tanned skin, and wears dark-rimmed glasses. Hi... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): photorealistic cinematic still frame, anamorphic 2.39:1 framing inside each panel, naturalistic skin and fabric, hard key + soft fill lighting, shallow depth of field, slight film grain, muted teal-and-orange grade. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.