Image - 2026-09-23 13:18
STYLE: hand-painted 2D Slavic folk-art animation — Bilibin / lubok / Orthodox-icon sensibility. Bold decorative ink outlines with visible line-weight variation, flat matte gouache color fills (poster-flat, minimal gradients), ornamental folk pattern work, strong readable silhouettes. Flat painted, posterized light — NO photoreal 3D shading, NO gloss. Cinematic 16:9 storyboard frame, high emotional readability. Match the FLAT decorative folk-art look of the attached character sheets (Igor + The Devil): same bold ink linework, flat gouache fills, lubok / icon flatness, ornament. Keep every character exactly on-model — same face, hair, proportions, costume, ornament. ATTACHMENT ORDER: the 1st sheet is IGOR: about twenty, SHORT light-brown SPIKY hair, clean-shaven, BLACK leather armor with red embroidery and a RED SASH, dark half-cloak, katana with a black wrapped grip. The 2nd sheet is THE DEVIL — a long GOAT-LIKE SKULL for a head, tall CURLING RAM HORNS, a mane of black smoke-flame hair, soot-black skin cracked with ember lines, a tattered CRIMSON-AND-BLACK caftan with chains; head low on a short thick neck. The 3rd image is the PREVIOUS FRAME — use it only for the sword stuck in the demon's eye, the light and the colors. ONLY TWO CHARACTERS: Igor and the Devil. Nobody else in the frame. FULL-BLEED: fill the entire frame edge to edge. NO ornamental border, NO frame, NO margins. TEXT: no text or lettering in the image. CAMERA: low to the ground, from the side and slightly behind Igor. Igor large in the near foreground; the Devil in the middle distance beyond him, facing toward us. SCENE: «He Screams»: Igor «Klinok» has just come to a stop after being hurled several meters back: he is down on one knee on the stone, both arms whole, his katana driven point-down into the ground beside him as a brake, both hands on its grip — behind him a long scraped furrow gouged through the stone and moss, with a trail of flat ornamental sparks and chips where the blade dragged. His cloak and red sash are still settling forward, his head is raised toward the demon, jaw set. In the middle distance the Devil «The Unmaker of Worlds» reels in agony. Misha's village sword is buried in the demon's LEFT EYE — since the demon faces us, that is the eye on the VIEWER'S RIGHT side of his skull; a flat burst of ember-orange light and black smoke-flame motifs spills
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