Create an extremely slow and subtle cinematic transition from the first wedding frame to the seco...

Create an extremely slow and subtle cinematic transition from the first wedding frame to the second frame. The bride and groom must remain almost completely still throughout the entire shot. Preserve their identities, facial structure, eyes, nose, lips, jawline, hairstyle, skin texture, clothing, jewelry, veil, body proportions and all visual details exactly as in the reference images. Their movement should be minimal to the point of being barely noticeable: only subtle breathing, tiny natural eye movement, and an almost imperceptible shift of posture. Do not change their expressions. Do not make them smile more, turn their heads, move their mouths, or significantly change their pose. The camera performs an extremely slow, smooth physical push-in toward their faces, gradually transitioning from the first composition into the final close-up composition. No fast zoom, no sudden reframing, no handheld movement. The bride’s veil may move very gently in a light breeze and slowly drift across the foreground, but the motion must remain soft and restrained. The couple themselves should feel almost frozen in time. End exactly on the final reference frame, with their faces in the same position, noses almost touching, expressions unchanged, and all facial features preserved identically. Maximum identity consistency. Maximum facial preservation. No face morphing, no beauty changes, no age changes, no hairstyle changes, no skin smoothing, no body deformation, no extra fingers, no lip movement, no expression drift, no pose drift. The entire shot should feel like a still wedding photograph slowly coming to life, with almost imperceptible motion. Very slow motion, extremely subtle movement, 7–10 seconds, cinematic wedding film, soft shallow depth of field, realistic fabric physics, seamless first-frame-to-last-frame transition.