Cinematic historical reconstruction, London, 1895. A gloomy Basenji-type African dog lies quietly inside a Victorian exhibition enclosure, looking tired and withdrawn. Upright ears, short smooth coat, tightly curled tail, compact medium-sized build. A few curious visitors watch from a distance, but the dog is the clear focus. Muted Victorian tones, soft natural light, subtle film grain, restrained historical atmosphere. No visible illness, no gore, no modern objects, no fantasy, no anthropomorphism, no glossy AI look. No audio, no dialogue, no music, no sound effects.
