Photorealistic cinematic historical reconstruction, London, 1895. Two Basenji-type African dogs stand quietly inside a Victorian exhibition enclosure as visitors observe them. Upright ears, short smooth coats, tightly curled tails, compact medium-sized bodies. They look like unfamiliar African dogs rather than a generic breed. Simple composition, muted Victorian tones, natural light, subtle film grain, mysterious documentary atmosphere. No modern objects, no text, no fantasy, no anthropomorphism, no glossy AI aesthetic. No audio, no dialogue, no music, no sound effects.
