Use the uploaded image as the exact visual reference for the entire shot. Preserve the exact sam...

Use the uploaded image as the exact visual reference for the entire shot. Preserve the exact same 2D hand-drawn animated style, palace architecture, colors, lighting, costumes, characters, faces, proportions and atmosphere of the reference image. Do not redesign, replace or alter any character or architectural element. The young violinist in the center must remain an exact visual copy of the reference character. She is approximately 9 years old. She has the same face, same straight dark hair, same pale blue dress, same body proportions and the same appearance as in the reference image. She remains in the center of the ballroom and plays the violin throughout the entire shot. IMPORTANT VIOLIN PERFORMANCE: The girl is performing a VERY FAST technical violin étude. Her body movement must remain extremely minimal. Her torso, shoulders, head and upper body stay almost completely still. She does not dance. She does not sway. She does not move her body rhythmically. Only her hands, wrist and a small part of her forearm move naturally while playing. MOST IMPORTANT — BOW MOVEMENT: The bow must move VERY FAST but with an EXTREMELY SMALL AMPLITUDE. FAST DOES NOT MEAN LARGE. The bow performs many tiny, rapid back-and-forth strokes across the strings. Each bow stroke is only a few centimeters long. The bow stays within the same small area of the strings. The movement should look like: short stroke → short stroke → short stroke → short stroke → short stroke repeated extremely rapidly. Use very high-frequency, tiny and precise bow movements. The right wrist and hand perform most of the rapid movement. The elbow moves only slightly. The forearm moves only within a very small range. The bow must continuously alternate direction very quickly. The visual impression must be of a professional violinist playing a very fast technical passage using tiny controlled strokes. Think of rapid spiccato or extremely fast détaché bowing with very small controlled movements. DO NOT use long bow strokes. DO NOT move the bow from one end of the violin to the other. DO NOT make large sweeping movements. DO NOT make wide arm movements. DO NOT slowly move the bow back and forth. DO NOT exaggerate the elbow movement. DO NOT exaggerate the shoulder movement. DO NOT make the girl move her whole body. The bow must NOT travel a large distance across the violin. The movement must be extremely fast, extremely short and precise. Her left hand makes small, quick